Come To Me, My Love
Norman Dello Joio (January 24, 1913 – July 24, 2008) was an American compos… Read Full Bio ↴Norman Dello Joio (January 24, 1913 – July 24, 2008) was an American composer.
He was born Nicodemo DeGioio in New York City to Italian immigrants; the spelling "Gioio" was later anglicized to "Joio". He began his musical career as organist and choir director at the Star of the Sea Church on City Island in New York at age 14. His father was an organist, pianist, and vocal coach and coached many opera stars from the Metropolitan Opera. He taught Norman piano starting at the age of four. In his teens, Norman began studying organ with his godfather, Pietro Yon, who was the organist at Saint Patrick's Cathedral. In 1939, he received a scholarship to the Juilliard School of Music, where he studied composition with Bernard Wagenaar. He was the father of American Olympic medalist (equestrian), Norman Dello Joio.
While he was a student, he worked as organist at St. Anne's Church, but he soon decided that he didn't want to make his living as an organist. In 1941, he began studying with Paul Hindemith, who encouraged him to follow his own lyrical bent, rather than sacrificing it to the atonal systems then popular.
By the late forties, he was considered one of the foremost American composers. He received numerous awards and much recognition. He was a prolific composer in a variety of genres, but is perhaps best known for his choral music. Perhaps Dello Joio's most famous work in the wind ensemble category is his Fantasies on a Theme by Haydn, composed for the Michigan State University Wind Ensemble and has since been performed thousands of times across the world. Dello Joio also wrote several pieces for high school and professional string orchestra, including the beautiful if difficult Choreography: Three Dances for String Orchestra.
He won the 1957 Pulitzer Prize for Music for his Meditations on Ecclesiastes; first performed at the Juilliard School on April 20, 1956. Another of his famous works is Scenes from the Louvre, for concert band. His Variations, Chaconne and Finale won the New York Critics Circle Award in 1948.
He taught at Sarah Lawrence College from 1944 to 1950, and at the Mannes College of Music. He also served as professor and dean at Boston University. In 1978, he retired and moved to Long Island. He donated his personal archive of manuscripts and papers to the Music Division of The New York Public Library for the Performing Arts.
Despite infirmities, Dello Joio remained active as a composer until his final years, continuing to produce chamber, choral, and even orchestral music. He died in his sleep on July 24, 2008 at his home in East Hampton, New York.
His music
Dello Joio's early works already reveal certain characteristics of his style. He likes to use traditional chants as a cantus firmus with richly contrapuntal settings. It is amusing, but not at all incongruous, to find Gregorian melodies and jazzy rhythms rubbing shoulders, for they are blended in a creatively spontaneous texture. The Ruby (1953) which is based on a "thriller" and is genuine blood-and-thunder music, has more dramatic drive and impact than the other more subtle and refined works. Joio is not slavishly imitative of classic forms, and often, in his sonatas, develops new procedures. But his design is always clear; he never wanders, even when he is a bit prolix. He is especially happy in his variation technique.
One of the most notable uses of his music is his score for choreographer Martha Graham's Diversion of Angels.
(wikipedia)
He was born Nicodemo DeGioio in New York City to Italian immigrants; the spelling "Gioio" was later anglicized to "Joio". He began his musical career as organist and choir director at the Star of the Sea Church on City Island in New York at age 14. His father was an organist, pianist, and vocal coach and coached many opera stars from the Metropolitan Opera. He taught Norman piano starting at the age of four. In his teens, Norman began studying organ with his godfather, Pietro Yon, who was the organist at Saint Patrick's Cathedral. In 1939, he received a scholarship to the Juilliard School of Music, where he studied composition with Bernard Wagenaar. He was the father of American Olympic medalist (equestrian), Norman Dello Joio.
While he was a student, he worked as organist at St. Anne's Church, but he soon decided that he didn't want to make his living as an organist. In 1941, he began studying with Paul Hindemith, who encouraged him to follow his own lyrical bent, rather than sacrificing it to the atonal systems then popular.
By the late forties, he was considered one of the foremost American composers. He received numerous awards and much recognition. He was a prolific composer in a variety of genres, but is perhaps best known for his choral music. Perhaps Dello Joio's most famous work in the wind ensemble category is his Fantasies on a Theme by Haydn, composed for the Michigan State University Wind Ensemble and has since been performed thousands of times across the world. Dello Joio also wrote several pieces for high school and professional string orchestra, including the beautiful if difficult Choreography: Three Dances for String Orchestra.
He won the 1957 Pulitzer Prize for Music for his Meditations on Ecclesiastes; first performed at the Juilliard School on April 20, 1956. Another of his famous works is Scenes from the Louvre, for concert band. His Variations, Chaconne and Finale won the New York Critics Circle Award in 1948.
He taught at Sarah Lawrence College from 1944 to 1950, and at the Mannes College of Music. He also served as professor and dean at Boston University. In 1978, he retired and moved to Long Island. He donated his personal archive of manuscripts and papers to the Music Division of The New York Public Library for the Performing Arts.
Despite infirmities, Dello Joio remained active as a composer until his final years, continuing to produce chamber, choral, and even orchestral music. He died in his sleep on July 24, 2008 at his home in East Hampton, New York.
His music
Dello Joio's early works already reveal certain characteristics of his style. He likes to use traditional chants as a cantus firmus with richly contrapuntal settings. It is amusing, but not at all incongruous, to find Gregorian melodies and jazzy rhythms rubbing shoulders, for they are blended in a creatively spontaneous texture. The Ruby (1953) which is based on a "thriller" and is genuine blood-and-thunder music, has more dramatic drive and impact than the other more subtle and refined works. Joio is not slavishly imitative of classic forms, and often, in his sonatas, develops new procedures. But his design is always clear; he never wanders, even when he is a bit prolix. He is especially happy in his variation technique.
One of the most notable uses of his music is his score for choreographer Martha Graham's Diversion of Angels.
(wikipedia)
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Come To Me My Love
Norman Dello Joio Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Taylor Myers
As a former choir kid, i would like to know why this song has been running rent free in my head since this quarantine began
Montanna Tilton
It's been taking up space in mine for at least 5 years
Daniel Lowman
LMAO same
Gayle Suggs
One of the most hauntingly beautiful and heartbreaking love songs I've ever heard. LOVE IT!
Matthew Hart
As a lifetime multi-instrumentalist and a lover and performer of all genres, this one is always at the top of my list :)
John Errera
You never seem to hear the works of Dello Joio as much as other contemporary composers. I absolutely love his work. His harmonies are hauntingly beautiful.
micah b
One of the greatest songs ever composed
Michael Geiger
One alto... who doesn't cover their [i] vowel... is all I could hear after 00:55 and 1:11 was that one voice coming out of the texture. Everything else is superb! The ONLY reason I stopped here to comment is because this happens to be one of my very favorite choral works.
Isaac Kuest
TMEA oh my gosh favorite song ever
Naomi Jones
I'm not sure that I agree with the conducting choices made.